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It’s about time

The art in Black Front Gallery’s latest show is more conceptual than visual. Erica Lord, a visual arts teacher at The Evergreen State College, is a photographer, sculptor and installation artist who brings a mixed-race heritage to her identity-based art. And when I say mixed race, I mean really mixed. Try

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Cool neon

“My new artist is a local guy who does some pretty avant-garde neon work. He is that guy who drives that Volvo station wagon with the rocket on top. … This guy is pretty cool.”  That’s what Oliver Doriss from Fulcrum Gallery has to say about his latest featured artist. The

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Cool neon

“My new artist is a local guy who does some pretty avant-garde neon work. He is that guy who drives that Volvo station wagon with the rocket on top. … This guy is pretty cool.”  That’s what Oliver Doriss from Fulcrum Gallery has to say about his latest featured artist. The

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Treetopia

This week I dropped by Childhood’s End in Olympia where the featured artist is Jiji Saunders. She does colorful landscapes in encaustic on wood. She makes good use of the encaustic media with rough textures and murky depths. Her landscapes are kind of Wolf Kahn-esque. Each painting features a single

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Treetopia

This week I dropped by Childhood’s End in Olympia where the featured artist is Jiji Saunders. She does colorful landscapes in encaustic on wood. She makes good use of the encaustic media with rough textures and murky depths. Her landscapes are kind of Wolf Kahn-esque. Each painting features a single

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Kicking glass

Recent visual arts coverage in the Weekly Volcano has been all about glass. I was very generous in my praise of Lino Tagliapietra, Willim Morris, and Paul and Dante Marioni. But I might have rankled some glass lovers when I wrote: “I might as well confess right now that I

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Kicking glass

Recent visual arts coverage in the Weekly Volcano has been all about glass. I was very generous in my praise of Lino Tagliapietra, Willim Morris, and Paul and Dante Marioni. But I might have rankled some glass lovers when I wrote: “I might as well confess right now that I

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The magnificent way

Chuck Close is something of a one-trick pony, but he does that one trick magnificently. He does portraits of his friends in an almost endless variety of media and techniques, usually close-ups with sharp focus on the center of the face and fading along the edges. This internationally famous artist

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The magnificent way

Chuck Close is something of a one-trick pony, but he does that one trick magnificently. He does portraits of his friends in an almost endless variety of media and techniques, usually close-ups with sharp focus on the center of the face and fading along the edges. This internationally famous artist

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Rocking glass

Father and son glass artists Paul (father) and Dante (son) Marioni are showing together for only the second time anywhere at William Traver Gallery in Tacoma. Going against all reasonable expectations, it is the father whose work displays a more youthful, impish and edgy attitude while the younger Marioni is

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Rocking glass

Father and son glass artists Paul (father) and Dante (son) Marioni are showing together for only the second time anywhere at William Traver Gallery in Tacoma. Going against all reasonable expectations, it is the father whose work displays a more youthful, impish and edgy attitude while the younger Marioni is

Glass rock star

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Glass rock star

The buildup for the Lino Tagliapietra retrospective exhibition at the Museum of Glass has been something on the rock star scale. The anticipation has been excruciating. And now the wait is almost over. The show opens Saturday, Feb. 23. Tagliapietra is one of the most respected glass artists in the world.

Glass rock star

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Glass rock star

The buildup for the Lino Tagliapietra retrospective exhibition at the Museum of Glass has been something on the rock star scale. The anticipation has been excruciating. And now the wait is almost over. The show opens Saturday, Feb. 23. Tagliapietra is one of the most respected glass artists in the world.

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Strange combinations

Interesting show: Jason Greene, Molly Wolfe and Jeremy Bert at Black Front Gallery in Olympia. Wolfe and Bert complement one another nicely. Wolfe works with glass and found objects, Bert with recycled neon signs. Both are showing objects that are iconic and that seem to combine an early industrial look

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Strange combinations

Interesting show: Jason Greene, Molly Wolfe and Jeremy Bert at Black Front Gallery in Olympia. Wolfe and Bert complement one another nicely. Wolfe works with glass and found objects, Bert with recycled neon signs. Both are showing objects that are iconic and that seem to combine an early industrial look

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The other glass museum

The finishing touches are being put on the $20 million renovation of the Hotel Murano, formerly the Sheraton, in downtown Tacoma. The Murano is part of the Providence hotel chain, a leader in the contemporary trend of hotels that are showcases for art. Quite a change from olden days when

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The other glass museum

The finishing touches are being put on the $20 million renovation of the Hotel Murano, formerly the Sheraton, in downtown Tacoma. The Murano is part of the Providence hotel chain, a leader in the contemporary trend of hotels that are showcases for art. Quite a change from olden days when

The maestro at work

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The maestro at work

Lino Tagliapietra is a glass maestro from the oldest international glass art capital in the world — and no, I don’t mean the upstart glass capital of Tacoma, Wash. I mean Murano, an island off the coast of Venice, Italy, that was a recognized world glass center before the United

The maestro at work

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The maestro at work

Lino Tagliapietra is a glass maestro from the oldest international glass art capital in the world — and no, I don’t mean the upstart glass capital of Tacoma, Wash. I mean Murano, an island off the coast of Venice, Italy, that was a recognized world glass center before the United

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The Helm

For starters, the exhibition called “This is a Time Machine” at The Helm is colorful and visually exciting, and it begs some interesting questions about the use of found objects in art. Such as just how much of the work should actually be created by the artist? Is it enough

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