WE SCENE IT >>>
Tacoma's Goldfinch is working on a new album, and it is going to be very, very good. One of my fine Volcano colleagues will pop up one of these days and tell you all about the band's Spaceworks Tacoma residency at 1310 MLK, and the process behind their new work in progress, so I'll leave that to the experts, and just say that between the Seattle Folk Festival and Saturday night's gig at the aforementioned space, I've been fortunate enough to hear a healthy dose of their new material, as performed in stripped-down fashion by Aaron Stevens and cellist/harmonizer Emily Ann Peterson, and I have already decided that it will be one of my favorite records of the year.
Saturday's festivities were not all about Goldfinch, of course. Not content to deal in one art form at a time, Spaceworks, Goldfinch and the Warehouse engineered an evening of improv comedy, storytelling from KUOW producer Megan Sukys - amusing anecdotes from the life of her South Carolinan family - and live painting in the corner by Britton Sukys, crafting a colorful piece that no-one failed to be impressed by as they passed.
Headliners OK Sweetheart got the house bouncing with their energetic brand of pop, and an oddly entertaining short film about a man and his exercise ball rolled briefly on the wall. But like every other show I've seen them open in recent months, Stevens and whatever brethren he brings along on any given night continually own the show from front to back.
So hurry up and make that record, guys. I want to listen to it. Over. And over. And over.